short story

Between the Sun and the Moon

Parenting a toddler alone can be hard, but in this outback horror story it is both isolating and terrifying.

 

Between the Sun and Moon

They had said goodbye to daddy at dawn, waved from the street as he coaxed the road train to life, listened to the deep rumble as the engine swallowed every other noise. The truck rattled and shrugged off the rusty iron dust left by the night. Dense diesel fumes warmed the air. Dan waved down from the cab, high above the road, as the little boy squirmed in his mother’s arms, clinging too tightly, his fingernails in her neck. She tried to catch a glimpse of Dan, tried to catch his eye one last time, but his face was already turned toward the highway.

They stayed until the truck had found the vanishing point on the horizon and was swallowed by the gorge country on the road south. Now would come the familiar loneliness that settled in her bones, the extra depth to the shanty-town shadows, a longing that continued like a dull ache until he came back.

 

The first time Dan left, Jessie stopped talking for three days. Since then, Courtney followed a clever ritual to keep him talking. She would bring the boy inside and they would trace daddy’s journey with a matchbox truck across a map of Australia. ‘Here we are!’

‘Here we are,’ he would mimic, a child’s finger finding the place. She’d let him colour in their town on the map with a red crayon, to match the sand and blood sunsets. He’d scratched a jagged black line to show the gorge country to the south. At the bottom of the map the boy had stuck some houses and hotels from an old monopoly game. ‘Ad  ah  laid’

‘Adelaide,’ she confirmed.

‘Sid nee.’

‘Yes, that’s right. He goes on to Sydney.’ A few more houses and hotels represented the other city. The boy would often giggle then, and trace the next part of the journey north to the Top End and then back to the starting point; a simple triangle on the map, but a round trip that took almost a month. ‘And then he comes back.’

‘Like the moon.’

‘Yes honey. Like the moon.’

Today, the map ritual had not worked. She could feel the little body stiff and angry against her chest and she tried to relax him, to coax him to talk. He had thrown himself backwards into her chest so fast and with such anger that his skull had split her lip. He howled in his room while she wept hot tears in the kitchen. Dan did not understand that life with a toddler was a lonely life. Feeling guilty, and in an effort to sooth them both, Courtney packed the car for a trip to the waterhole. The river would be a mucky semi-dried-out billabong[1] at this time of year, but it always calmed the boy and if she was lucky, he would sleep on the drive home.

 

The waterhole felt like a natural temple. There was something sacred about water during the dry, and the white trunked gums that encircled the pool shed their bark in long strips, staining the water the colour of Black China tea. There was a rock ledge over the deeper end and a shallow sandy end. If you were careful not to disturb the slimy, dead leaves on the bottom, the water stayed fairly clear. But while she was unpacking, Courtney didn’t notice Jessie wander towards the rock ledge. From the corner of her eye she saw a soft quick wisp of white-blond hair and then the sickening sucking sound of a small body slipping under the surface and then…nothing. The deep end. The darkness.

 

In slow motion she jumped in after him. Below her, blackness, and as she went deeper, the light above became a distorted dream. She thrashed around, feeling for him. Desperate against the murk she tried to calm the panic and, blinking through the brown, just made out the rays of light that slipped through the triangles of a small-fingered hand, like a skeletal shadow-puppet. She grabbed at his arm and kicked against bursting lungs to the surface. As she gulped and swallowed the air he began to thrash, his tough fingers trying to pry off her own. It took all her strength to get him to shore and when she held him, laboured to breathe, she noticed her shoulder and was covered in round-mouthed bite marks. He yelled at her then, saying he wanted to die, saying it over and over. And then the screaming started. Screaming until blood began to flow from his nose, screaming until blood flowed from his ears, screaming as she strapped him in the car seat, screaming all the way home as the black blood congealed and crusted in the heat.

 

He had gone back to being semi-catatonic and she could barely look at him as she cleaned him up for bed. She gently lifted his exhausted body onto his mattress. He turned his face away when she tried to kiss him. On silent feet she left the room, and more for her own benefit said, ‘I hope you’re feeling better now. We’ll see the doctor tomorrow.’

Doctor Ryan’s surgery was little more than a shed. He flew up from Adelaide once a month, unless there was an emergency. The small corrugated iron building let out increasingly frequent groans and tings as it warmed and expanded in the heat. The red sand had crept in and lined every crack in the concrete slab. The all-pervasive red dust; she hated it. The ‘surgery’ itself was a small partitioned room and the rest of the space was filled with a circle of white plastic chairs. There were a few families there, but none that she recognised. They’d probably travelled long distances for check-ups, immunisations and assurances that their children were normal. There was one other family in the town whose dad was a long haul truck driver, but they had three children and seemed….happy, self-contained. Two other families had dads working in the mines, about a half day’s drive north-west from here. It did seem strange that there were no Aboriginal families here. Courtney had done some research. The town had been much bigger about 10 years ago. She guessed times had changed, people moved away.  In the centre of the waiting room was a basket of odd toys where Jessie sat with his matchbox truck, driving it in a big triangle. She observed him now, seeing him as the visiting doctor would see him. He would probably say the boy was underweight, that he should be talking and eating more by now, that the tantrums should be easing and the bed wetting should be less frequent. She dreaded the part where he examined Jessie’s body.

‘Come in Jessie. Mrs Paterson. How are you?’

The boy smiled and shook the man’s hand ‘like a big boy’, and Courtney was reminded of how much she loved to see him happy.

‘I’m guessing the boy’s father is away at the moment? How is that going?’ She bit her lip and looked down at her hands.

‘This has been the hardest one so far.’ She wondered how much she should say in front of the boy. She was torn between her own insecurities- that it was her own fault, her inept parenting- and a desperate need for adult help.

‘Sometimes he won’t respond to me, won’t talk, won’t eat. He’s very irrational. Yesterday he ran into the waterhole and then struggled when I tried to save him…’

‘To save him?’ The doctor stood up and looked from the woman to the boy.

‘Yes. I think he wanted to kill himself.’

‘Mrs Paterson, if you don’t mind, I’d like to have a talk with your boy alone.’

She sat for a long time in the waiting room. While she couldn’t make out words, it was clear that the boy was talking freely with the doctor, and she felt a twinge of sadness for the disconnection that had developed between them. In an effort to distract herself, Courtney looked at the various posters; an outdated poster for the Mary Poppins musical, an advice poster for correct teeth brushing and various Aboriginal Medical Service fact sheets. She noticed a faded illustration of Nami Gorge and the waterhole where they had been the day before. Below it was a short recount of a local dreamtime legend:

 

In the Dreaming, Walu the Sun-woman lights a fire each morning. She paints herself with red ochre, some of which spills onto the clouds, creating the colours of the dawn sunrise. She journeys by day with her torch, then returns in the darkness to her camp in the east. But she is jealous of her husband Ngalindi, the Moon-man, for he can be seen at night. She cuts off pieces of him with her axe until he is gone as though dead for 3 days. Then he gradually returns, devouring the Sun-woman’s light until he rises full and angry. Walu and Ngalindi have an angry and restless son who grows so tired of their constant battle that he calls on lightning to destroy them both. But the sun and moon are eternal and the lightening instead takes the life of the boy. His screams become the thunder, his body becomes the rocky gorge and his blood becomes the water of the sacred pool, Nami. Every day the Sun-woman weeps for her boy and every night his father remembers him.

Note: Today this region is still known for its red dawn and sunset and for its lightening and dry electrical storms.

 

The doctor brought the boy out and sat him down to play with the toys. ‘I’d like to talk to mummy now, okay?’ Jessie nodded. ‘Please, come back in Mrs Paterson.’

‘Courtney.’ Closing the door behind them, he motioned for her to sit.

‘I found some bruises on his arms and legs. Can you explain them?’ He took out a small notepad.

‘I told you. I had to drag him out of the waterhole.’

‘Ah. Yes, of course, it’s just…some of the bruises appear to be older, in various stages of healing.’ She shifted in her seat, and smoothed her skirt.

‘He often tries to escape from me, to run away. Most nights it’s a battle just to put him to bed. He is often up in the night. He has run away a few times at night and it scares me. I usually try to grab him before he bolts. He always tries to break free so I have to hold him tightly. He’s little but he’s strong. And he’s fast.’ The doctor jotted down more notes.

‘He said you like to hurt him.’

‘What! I don’t like to hurt him.’ She shifted in her seat, could feel her cheeks turning red.

‘Please stay calm Mrs….Courtney’

‘I am calm. It’s just that…’

‘Go on…’

‘He scares me. And I feel so isolated. I worry what he’ll do next. I worry what he’ll make me do.’ The doctor took out a prescription pad.

‘It’s a script for Valium, for you. Put him to bed and get a good night’s sleep tonight, it’ll help. I’m going to make a special trip up in two weeks and I’ll bring a child psychologist. Until then, try to rest, eat. Some form of companionship might be good for Jessie, maybe try to get him a puppy or a kitten.’ And that was it. The rest of her day was spent on the phone asking around if there were any pets for sale locally.

That night she called Dan on his CB radio. She could see Jessie playing on the path with the new kitten and allowed herself to smile. ‘He seems happy today. Yes. He’s playing with it now. A tabby. I know what we said, but you should see him, he’s actually smiling. I miss you Dan, can’t wait to see you.’ She allowed herself to think of him, being held, kissed, having an adult to talk to, to eat with. She missed him so much. Then came the sickening sound, the arc of the boy’s hand as he cracked the kitten’s skull with a rock. It let out an involuntary squeak before he bought the rock back down, again and again, and the tiny body became a mangled mash of fur, guts, bone and blood on the path. ‘Oh fuck. He’s killed it.’

‘I’m coming home…’

 

In Jessie’s room, his screaming had finally become a guttural whimper. Courtney had found an old local newspaper in the shed, to wrap the kitten’s remains.  As she folded out the paper, she was struck by the headline dated from 2005: Local boy, 6, killed in road-train freak accident. And the caption below it: Local Aboriginal elder claims town, waterhole, is cursed.

That night, the small muffled voice came again, the only noise in the moon grey night. Courtney listened closely, hoping he would go back to sleep on his own. Then she heard the familiar thump of his feet on the floor and what sounded like a rattle at the window. The Valium had come on so fast, she couldn’t remember if she’d locked it. She peeked into the room through the keyhole; in the half-light she could see his silhouette, frozen at the window, the mist of his breath fogging the glass. She could hear her own heart beating in the back of her mouth. She was too afraid to enter the room.

 

Back in her own bed she listened as he slid the window up, heard his soft feet on the path and the creak of the gate as he let himself onto the street. She lifted her head to see the little frame as he ran off down the road. And then she closed her eyes.

 

It was difficult to see in the dawn light. Dan was so tired and anxious to get home that he was still travelling highway speed as he rounded the bend towards the little town. Dead insect carcasses speckled the windscreen, and the setting full moon in the morning light removed all shadows, making it impossible to see the small grey shape that darted out in front of the truck.

 

In that final moment the woman would swear she was able to feel the earth shudder and sigh, and then stop. In the East the sun was rising above the rocky gorge and Walu’s ochre stained the clouds orange and red. In the West the silver moon of Ngalindi was setting on a parched and ancient land. As the day turned, blood returned to earth, bone returned to dust and another mother and father wept for their son.

 

[1] A waterhole formed when a river stops flowing during the dry season

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flash fiction

Sister Kate

The story below is a piece of historical fiction, written from the perspective of Ned Kelly- an Australian folk hero and bushranger of Irish background who was caught by the authorities and hung in Melbourne Jail in 1880. My object was a mouse and my setting was a secret laboratory. I have an interest in Australia’s colonial history and wanted my setting to reflect those times when the European settlers pushed into- for them- what was  the wild and unknown frontier.  I built the story around two very strong images. The first was inspired by my teaching of Australian Gothic short stories. I had a clear image of a still waterhole at night when the stars were so bright in their reflection on the water, that it appeared as if the waterhole was a carpet of stars. My other image was of a mouse. when I was living in the bush a few years ago I opened a draw and startled a native mouse- an antechinus– who had a nest. She meticulously moved every leaf to a new place and took her babies from the draw on her back, one by one. I thought it would be interesting to put the mouse in the cell with Ned at the end, and contrast the images of freedom for the mouse who could simply slip out through the bars, with the captivity of man who would never know freedom again. I was also going through my ‘punctuate dialogue like Tim Winton‘ phase. I spent a long time editing this story and trying to ‘show not tell’, especially when the troopers come to the house to find Ned’s sister Kate alone.

 

Sister Kate

The Kelly home stood solid, defiant, pressed square against the earth. On two sides the bush and ghost gums were pushed back and a newly completed post and rail corral held two wild horses, stamping and scared by the wood smoke of the hearth fire. They shook the grey dust from their manes and snorted angry breath which fogged in the late afternoon light. Ned considered the work he had ahead to break them in and smiled. A challenge, true, but he was more than capable. His last three horses were being sold in the city to a cash buyer; a racehorse trainer for the Melbourne cup. His sister Kate was inside waiting for him. It had been a long day and he wanted stew. He needed whisky.

 

During the day it was impossible to see the other wooden structure. The slab timbers had been silvered by the sun and the small mud brick chimney was fashioned from the very earth on which it stood. Behind a clump of grey green cork trees and partially dug into the hillside, it simply was not there. Accessed through a half-door, everything was orderly. A crudely fashioned copper still sat central and was flanked by the two stolen rum barrels which gave the Kelly family whisky its amber body and a sweetness that almost compensated for the gut stripping character of the liquor. In another corner sat a smoky glass flask filled with black liquid opium tincture; something Ned had learnt to make during his time on the goldfields. The only light source was a small tallow box that hung from the ceiling.

 

Kate was pleased to have Ned home. No woman liked to be left alone for long out here, on the tattered edge of the colony, where there was little familiar and much to fear from the outback. When the tired sun sank over the ridge that night, the wild horse’s hooves had masked the sound of the mounted troopers approaching. When the heavy boots creaked upon the landing, Ned barely had time to slip away. The whisky jug was still on the table when the first trooper threw open the front door. Kate tried to compose herself.

 

I’m Fitzpatrick. This is Collins. Where’s your brother?

I don’t know.

We’re here to investigate a case of horse theft.

I don’t know what you’re talking about.

We think you do.

 

 

4th November, 1880

Dear Kate,

Melbourne jail is bitterly cold and full of broken men. I hear them sobbing and I refuse to become one of them. The infinite blue sky seemed thin enough to rip apart as they marched me inside and delivered me to this miserable cell. When the door clanked home it frightened a small native mouse that had made a nest under the cot. I sat and watched her move her nest, leaf by dry leaf, meticulous. She was small enough to slip under the cell door, and reminded me that I was no longer free. I watched as she returned, timid but determined, and emerged again from under the bed with two small native mouse pups clinging to her brown fur. She reminded me of the time when our mother took you on her back and waded across the fast flooded Grafton River. I’m not even sure she knew how to swim; our mother was nothing if not brave. I need you to be brave now.

Yours,

Ned

 

Can you explain how you come by those two horses?

My brother Dan caught them. They’re brumbys from the goldfields.

Stop lying and pour us some of that illegal liquor. Your pretty neck could hang for that.

 

Fitzpatrick stepped closer to Kate. In the firelight she could see the yellow white of his teeth. He slowly rubbed a lock of her hair between his thumb and forefinger and traced his finger across her shaking hand as she poured out two mugs of whisky. She tried not to turn her head to look for Ned but she couldn’t help it, and twice glanced towards the back door.

 

Fitzpatrick made a silent motion to Collins, who grabbed Kate roughly and put his hand over her mouth. Ned had forgotten to extinguish the small guttering candle in the still and it made a thin line of muted light which cut through the darkness. Fitzpatrick’s pistol was up, but he stumbled, across the unfamiliar yard. Kate thrashed free from Collins and yelled for Ned to run.

 

But Ned was not the kind to run. Bullets from the trooper’s gun peppered the barrels and glass and the still exploded in a wash of wasted whisky. Ned had his own pistol drawn as he emerged through the shadow between the hut and the square silhouette of his attacker. In the night the orange flash and smoke of gunfire ended the trooper’s life, and when Collins rushed forward, he went down in a similar arc of gunfire.

 

The wild horses shied in the night and Kate fell to her knees. She knew there would be no justice for her family.

 

10th November, 1880

Dear Kate,

Do you remember when we first came here? The whole country looked like a muted canvas of yellow grass, fine grey sand and smooth granite. You won’t remember life before, and in many ways you are lucky. I thought we would be free here, to live, to work, to make a life for ourselves. Oh Kate, do you remember when we first walked to the waterhole in the dark? The stars were so bright and the black water so still that the reflection of stars spread out like a carpet of sparkling light at our feet? My life is spread out before me now, but it is lead dark and bleak. I want you to remember me as a just man, not as the murderer I’ve been painted. Remember me where the wild horses run. Look after our mother.

Tomorrow I hang. Such is life.

Yours,

Ned.

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flash fiction

Oasis

In this flash fiction round my genre was horror, my setting was the North Pole and my object was a survival kit. I knew I didn’t want to set this story in the actual North Pole so I found that there was a place in the Western Australian desert of the same name. Again this one features Australian desert landscapes, a gorge and a haunted waterhole surrounded by flesh eating plants. I had a very strong image of a waterhole oasis from a trip I went on with my dad to the red centre and Uluru-Kata Tjuta National Park when I was thirteen.

 

Oasis

The two had broken the rule by splitting up, but there was just too much ground to cover. This part of the Pilbara desert was called The North Pole, which must have been a great joke for the early gold miners, because it was barren and baked hot by the desert sun.  The landform was your typical Western Australian mix of sedimentary rocks from the ancient sea floor and red rusty iron dust. To the north the land opened into a gorge that looked as if an angry ancestral spirit had cleaved the earth apart during a tantrum. Kirra was to stay south of their vehicle and document the endemic flowering plants and grasses. Paul had taken his backpack, survival kit and a length of rope and set off towards the gorge.

Kirra’s most surprising discovery looked like a common Emu Bush, Eremophila Aracnoides, but in this particular specimen the normally yellow flowers were deep red. The common variety did not have these spikes and she accidently scratched her palm on a thorn. Not many Australian plants were poisonous, so she wasn’t worried. She made a detailed sketch of the foliage and flowers in her specimen book and marked the page with a drop of blood.

Her shadow was elongated across the earth and the wind changed direction before she paused long enough to wonder why he wasn’t back. She recorded the co-ordinates using GPS:  21° 6′ 0″ South, 119° 21′ 0″ East, packed up her kit and set off into the melting pink sunset to find Paul.

It was slow going in terrain she was only just getting used to. She carefully chose a path down the crooked rock face and descended into the ravine from the southernmost point. The sand at the bottom was coarse and cool and as she moved along she noticed that up ahead the two rock faces came together, leaving an opening just wide enough for a person to enter.

Paul? Paul!

But her voice was swallowed by the looming monoliths. A flow of cool, sour air was coming from the opening and this meant that the path would open out again at some point. Taking a deep breath, Kirra moved between the two rock faces.

She emerged into a small oasis and tried to absorb its incredible beauty. Nothing on the map indicated a place like this existed. From the centre of a still green pool emerged a gnarly tree which looked like a weathered strangler fig with drooping, twisted branches that caressed the water in a few places. The waxy yellow foliage was serrated and glistened with condensation. Small droplets from the leaves appeared to hiss when they hit the water. The waterhole was encircled by more of the red-flowering bushes.

Then she noticed Paul’s shoes, his bag, his hat. But there was no sign of the man. She called again.

Paul?

She knelt beside the pool and squinted into the water. The surface reflected the sunlight so intensely that she found it impossible to see what lay beneath. She kept tilting her head to get a better look but it was futile; all she saw was her own reflection. There was only one way in and he couldn’t have drowned.  So where was he?

Paul!

Suddenly the air seemed to vibrate. Shielding her eyes, Kirra looked up as a single grey cloud moved its wings across the sky, erasing the last of the day, and revealing the glowing white arc of the rising full moon. The quality of the light changed to a translucent grey as the sparkle of the day was washed away. Kirra felt a burning hiss as a droplet from the fig made contact with the cut on her palm. She fell back in pain.

Fumbling in Paul’s bag she found his specimen book with a detailed description of the twisted fig and the oasis. She was also glad to find his small survival kit and cleaned her palm with a sterile swab, which helped to alleviate the stinging. She swallowed the last swig from his water bottle and looked around again. The rock faces were changing as the moonlight intensified. Blinking like a child in disbelief, she was beginning to see, on every rock surface, the white ochre splattered outline of a hundred pairs of hands. They screamed a silent warning. Get out. Never come back.

The surface of the water was also changing. It no longer reflected the sunlight; instead it began to absorb the moonlight and from deep below the surface, a soft light began to glow. At first it was muted, but soon Kirra discovered she could make out shapes below the surface. She froze in terror but could not look away. Skeletons. Skulls. Kangaroo. Human. Long femurs and small carpals. Teeth. The curve of a human ribcage. The bones twisted and throbbed in the ghostly moonlight, dancing and swirling in a soup of souls, and the surface kept hissing and fizzing.

White hot pain shot through Kirra’s forearm and broke her stupor. She saw that the skin on her hand had become so transparent that she could make out the skeleton beneath her own skin. Her bones were beginning to glow like the bones in the water. She groped inside the kit again and located the snake bite pack. As best she could, using her good hand, she slipped a thin rubber tourniquet up to her elbow and pulled it tight. Her hand was tingling, her skin a mesh of cobwebs in the moonlight.

When she woke in the recovery ward of the Port Headland hospital, the doctor told her that while the tourniquet had stopped the necrosis from spreading, the long car drive had resulted in extensive tissue death and they had not been able to save her hand.

A team of scientists and detectives tried unsuccessfully to locate the gorge. The page on which Kirra Grey had recorded the satellite co-ordinates had been torn out.

 

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flash fiction

Quinkin Rock

When I started entering the NYC midnight short story and flash fiction competitions, this was the first story that I had success with. I wanted to write something uniquely Australian and capture the funny side of our culture as well as explore the more spiritual aspects of the desert landscape. In the competition you get assigned a genre, a setting and an object. For this one I got action/adventure, an underwater cave and a dumb-bell. You have 48 hours to write and the story must be <1000. The image of the underwater cave came to me quite quickly. I wanted the protagonist to feel a bit alienated, a bit of an outsider, so I took a city type- used to working out at the gym- and put him in an outback town. I really wanted to capture some of the more haunting aspects of the ancient landscape and Aboriginal culture. I read a story when I was younger called ‘Quinkin Mountain’ by Percy Trezise and I liked the idea of the quinkins; often tricksy and sometimes frightening ancestral spirits who live in caves. I was never really happy with the ending and have learnt it’s a real skill to come up with a story that has a satisfying ending in less than 1000 words.

Read the story below;

Quinkin Rock

Beneath the nothing blue outback sky, Nathan replayed the events of last night. His face was already starting to turn rash red and he felt the trickle of stale beer sweat run down his back and soak into his jeans. It was just after seven but already the horizon had melted into a mirage of shimmering ooze. In his pocket was a rough map printed from Google with a smudge of pink lipstick marking the spot. No wallet. No phone. No shoes. No dignity.

The first week on the farm had been heavy work. Nathan’s soft hands were blistered and weeping and he’d suffered his share of humiliation. It was pretty clear that his ability to lift weights in an air conditioned gym did not translate into an ability to toss bags of grain onto the back of a flat-bed truck. His prowess at lifting dumbbells made no difference to his ability to dig fence holes in baked earth. When it had come to letting loose on Friday night he was left with no option but to head to the only pub in town, a shabby relic of former colonial glory now dulled with red opal dust, and drink beer and shots of rum with the locals.

He could feel the curse spreading out from his solar plexus as it tightened his chest and corrupted his lungs. He could still feel the vibration of the old man’s voice as he pointed the human bone, hair glued to the end with spinifex sap. Every stab to his chest felt bayonet-deadly. Nathan had gaps in his memory from the night but knew he’d had too many drinks and engaged in too many flirtatious gestures with the wrong woman. He was a sucker for pink lipstick. When the singing curse was done, he saw the yellow white of the Aboriginal man’s eyes blink closed and his earth coloured skin dissolve into the impenetrable dark before he disappeared entirely. The effect of the curse had been instant. The locals stood around Nathan who began to clutch at his chest as his head slumped and rocked sickly on his neck. Falling to his knees, he began to wretch with big violent spasms that bought up a stomach juice steak dinner and a gush of beer froth. A crowd had gathered and there was some low whispering. The girl with the pink lipstick crossed her arms, shook her head and went back inside the pub. After that only fragments of the night…talking…a map…a bumpy car ride. Then the morning sun white hot on the horizon.

He trudged on painfully. After a few unbearable burning breaths he saw the landscape up ahead begin to change and a burnt orange monolith rose, ominous and ancient, from the bedrock. Blackened tree trunks stood like watchful sentinels as he stumbled on towards the craggy rock form, terrifyingly human in its shape.

Nathan rested on the rock and was grateful to be out of the sun. He followed the wall around and located the rocky outcrop with the opening, like a jagged smile, just behind it. His feet had been cut and scratched and he was happy to feel the more forgiving coarse sand of the cave mouth. Small wiry shrubs clung to the rock and the earth exhaled a mossy breath which cooled his face and spoke with a silent ancient tongue. It was strange, but as he crossed from the outside into the shelter of the cave his stomach, which had been burning and twisting, seemed to settle somewhat. He kept going over the instructions; move deeper into the cave until you come to a small body of water that seems to be glowing with a holy light. Strip naked. Dive into the pool and swim towards the light. You will surface in a second cave. What happens next is not certain. You may be met by the Quinkin spirit. You might not. He might forgive you. He might not. You need to take one of the smooth, ancient river stones from the secret cave and swim with it back to the other side. If you are not forgiven the water will swallow you down into its monstrous belly womb where your blood and flesh shall feed the earth and your bones will rattle for eternity. Simple.

The water shrunk his genitals and his heartbeat throbbed in his temples. He could see light bubbling up from below and braced and inhaled as he slipped under the surface, the first time just to look. His vision ebbed and flowed and he tried to keep his submerged body still. The light was indeed coming from a large hole under the water, big enough for him to slip through. Surfacing, he took one huge breath and this time he exhaled slowly, as he had learnt from skin diving documentaries, and swam towards the light.

When he emerged again, river stone in hand, his clothes were gone. Nathan made the long walk back towards the town naked, relieved, exhausted. As he approached the pub a collective cheer went up and the Aboriginal man from the previous night came out to greet him, grinning broadly, shook his hand and slapped him on the back. He grabbed the river stone from Nathan and beckoned him to follow. In a special room at the back of the pub was the ‘wall of shame’. It was decorated with numerous photos of naked sunburnt men, all taken as they emerged from Quinkin Rock. In a corner of the room was a large glass cabinet full of similar smooth river stones.

‘You survived the initiation.’

But that night in bed there was something more. Inside the cave, something had stirred inside him. An ancient voice spoke and he knew he was home.

 

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Uncategorized

The Story Stream

Over the last few years I have gotten much better at writing short stories. I have always loved to write but it”s never been a serious pursuit; and it’s still not. Not really. Most of my time is spent at work as a teacher, or at home with my family, or in my garden. I’ve been entering some writing competitions recently and have set up this site so I can share the stories I write. I am highly aware of the process of writing because I also teach creative writing. In the new HSC English syllabus there is a focus on the craft of writing, and I wanted to explain, with each story, my specific writing process.  I want to show how stories can grow from a series of images, take shape from a throw-away line or can jump out from a jumbled whiteboard brainstorm. The title of my site is taken from an idea in Salman Rushdie’s ‘Haroun and the Sea of Stories’ where the characters travel to a secret moon covered in an ocean of stories, dip a cup in a swirling stream, and learn that no two stories are the same. Happy reading. And writing.

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